Custom Constellations, 2014
Photograph
40h X 60w in (101.6h X 152.4w cm)
Lightjet ilfochrome on dibond
Ed: Unique + AP
This work is no longer available.
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A Fixture on the Lower East Side, 2016
Photograph
Archival Pigment Print
40h X 27w in (101.6h X 68.58w cm)
Ed: 4 + AP
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In-situ, 2017
Photograph
Chromogenic print on dibond
27h x 40w in (68.58h cm x 101.6w cm)
ED: 2 + AP
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Endurance, 2014
Lightjet ilfochrome on dibond,
matte laminate, welded aluminum frame
20h x 64w in. (60.96h x 162.56w cm.)
Ed: 3 + AP
Endurance, 2014 is three different medium format transparencies of Lower Manhattan
azure sky, taken on the same day. This work is meant to be installed on a ceiling, or leaned
diagonally against a wall. It may also be hung horizontally or vertically on a wall.
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Natural Composites, 2012/2018
Transfer on reclaimed barn wood canvas
30h x 30w x 2d in (76.2h x 76.2w x 5.08d cm)
Ed: 3 + AP
Comprised of two forms of growth, in nature as well as the constructed world, two homes blend in Natural Composites, 2012/2018. Juxtaposing an image of One World Trade under construction, with an analog image of autumn splendor in Ohio’s Chagrin Valley, the march of time, in parallel, is captured in both analog and digital formats, another juxtaposition representing progress, loss, regrowth. This work is created with a unique, hand made reclaimed wood canvas, referencing the side of a house or a barn, components of home for many.
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Failure is Becoming, 2014
Darkroom print, artist framing
66h x 25w in (167.64h x 63.5w cm)
Ed: Unique + AP
This work is no longer available.
Failure is Becoming, 2014 is a digital photocollage comprised of vernacular New York City photographs, and rephotography of computer screens during the creation of this work, when required processes routinely pushed computers beyond their capacities, resulting in crash screens, glitches, wireframes and other errors, all photographically ingested and incorporated into the work until the desired composition was reached.
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The Trees, 2013
Photograph, hand printed
46h x 64w in (116.84h x 162.56w cm)
The Trees, 2013 is part of an ongoing investigation of photographic pictorialism involving gesture and motion. Each print is unique.
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Throwback:
Rox Gallery, New York, 2013
Group Show, “Ascension”
The New Sky, 2012/2017
Archival pigment print
33h x 50w in (83.82h x 127w cm)
Ed: 10 + AP
The New Sky, 2012/2017 is part of an ongoing series centered around solastalgia, which deconstructs elements of nature into technologically influenced states. Doubling, inverting and combining vernacular photographs of the New York City sky, The New Sky employs destructive image compositing, compression and chance to generate interference ‘clouds’ which appear to seamlessly emerge from, and bridge, the original images of the sky. Further bringing the work into permanent “in between” state, the digital image is transferred to 8x10 film, and the print is exposed, by hand, from this transparency. No two prints are identical.
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Install:
Nexus, 2014
Los Angeles
Nexus, 2014
Photograph
Ilfochrome on dibond
50h x 70w in (127h x 177.8w cm)
Ed: 3 + 2AP
This work is no longer available.
Nexus, 2014 is part of an ongoing investigation of gesture and mark-making using computational photographic processes only. In this work, elements of nature are collaged into a technologically influenced state, in-situ, using the camera only. Vernacular images of the sky are doubled, inverted and combined, employing destructive image compositing and compression techniques, as well as chance, to draw with and remix natural elements until the desired composition is reached.
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Image selected for Simultaneous Soloists, a publication on the work of Anthony McCall. Pioneer Press, New York, 2019
Additonal info.
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Social Photography VII, Group Show, Carriage Trade, New York, NY
Curator: Peter Scott
277 Grand St, 2nd Fl. New York, NY 10002
Gallery Exhibition: July 9-August 25, 2019, Extended 9/27/19
Exhibition link: https://carriagetrade.org/Social-Photography-VII,115
Catalog available: https://carriage-trade-ny.myshopify.com
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Our Favorite Things, Group show, District Gallery, Cleveland, Ohio
Fall, 2019
Severe Clear, 2019
Chromogenic digital luminogram
Maple frame, dibond, museum glass (artist framing)
43h x 63w x 2d in (109.22h x 160.02w x 5.08d cm)
Ed: 4 + 2AP
Fall, 2019
Severe Clear, 2019
Chromogenic digital luminogram
Maple frame, dibond, museum glass (artist framing)
43h x 63w x 2d in (109.22h x 160.02w x 5.08d cm)
Ed: 4 + 2AP
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Benefit Auction, Center for Art Law, Paddle8, New York, NY
Curators: Louise Carron, Irina Tarsis
https://paddle8.com/work/h-spencer-young
This work is no longer available.
Inversion #14, 2017
30 x 30 in (76.2 x 76.2 cm)
Unique + AP
Signed on verso
Shown inverted, and uninverted.
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