Nexus, 2013
Ilfochrome print on Dibond (composed entirely in-camera; no digital post-production)
50 × 70 in (127 × 177.8 cm)
Edition of 2 + 2 AP
Edition fully placed
Nexus, 2013 is part of an ongoing investigation of gesture and mark-making using photographic processes only. In this work, vernacular images of the sky are collaged, in-situ, using the camera only, as well as chance, to draw with and remix elements of nature until the desired composition is reached.
The Trees, 2012
Handmade Ilfochrome print (composed entirely in-camera; no digital post-production)
46 × 64 in (116.8 × 162.6 cm)
The Trees, 2012, is a series of unique, in-camera photographs exploring the intersection of gesture, stillness, and time in lens-based image-making. Each image is composed through live optical motion using a digital camera, then transferred to 8×10 film and printed by hand as Ilfochromes. The result is a durational imprint—photography as performance, structure, and trace.
Geometrodynamics, 2019
Diptych, chromogenic prints (composed entirely in-camera; no digital post-production), in artist framing
Each panel: 41 × 34 in (104.1 × 86.4 cm)
These works explore the unseen structures and temporal complexities of our world through formal challenges to the photographic medium itself. Geometrodynamics #1 and #2 were composed entirely in-camera using a series of experimental techniques that stretch the boundaries of what photography can be while remaining fundamentally indexical. The title references theoretical models in physics that attempt to describe all universal forces in geometrical terms.
Parallax Poem, 2013
Chromogenic print (no digital post-production; image composed in-camera)
Dimensions variable
Edition of 4 + 2 AP
#46, 2014
Handmade Ilfochrome print
27 × 40 in (68.6 × 101.6 cm)
Edition of 4 + 1 AP